Ethiopia’s Africa Hall, inaugurated by Emperor Haile Selassie in 1961 as the UN ECA headquarters, has undergone a $57 million renovation. The project focused on modernization while preserving the building’s historical essence. Led by Architectus Conrad Gargett, the renovation aims to make the venue suitable for contemporary conferences and cultural events, reinforcing its significance in African unity and history.
In February 1961, Ethiopian Emperor Haile Selassie inaugurated Africa Hall in Addis Ababa, which he had gifted as the headquarters for the UN Economic Commission for Africa (ECA). This architectural gem, designed by Italian architect Arturo Mezzedimi, features a stunning stained-glass window and has played a pivotal role in major events of modern African history. Just over two years after its inauguration, it became the venue for the founding of the Organization of African Unity (OAU).
More than 60 years later, the historic building underwent a decade-long renovation, completed in October, revitalizing the 12,800 square-meter site with a budget of $57 million. The Australian design firm Architectus Conrad Gargett embraced a dual theme of modernization and conservation, striving to enhance the building’s functionality without compromising its historical essence.
Project architect Simon Boundy emphasized the importance of preserving the hall’s legacy while updating its facilities. By employing local architects and engineers, the team ensured they understood Africa Hall’s significance in promoting African unity. This collaboration enabled them to navigate the complexities of modernizing a historic structure effectively.
The renovation included reinstallation of approximately 13 million new tiles to match the original aesthetic while improving seating arrangements in the Plenary Hall. Modern amenities were discreetly integrated, allowing the hall to meet contemporary technological standards without altering its classic design. The objective remained to breathe new life into the building while maintaining its core identity.
As for accessibility and safety, the structurally compromised building was extensively reinforced, incorporating carbon fiber and steel. Measures were undertaken to preserve the iconic stained-glass window, “The Total Liberation of Africa,” by Ethiopian artist Afewerk Tekle, which remains a central symbol of the building and Pan-African history.
The successful renovation of Africa Hall not only preserves its historical significance but also positions it as a modern cultural and conference venue. The efforts reflect the ambitious spirit of Emperor Haile Selassie’s vision for Africa, emphasizing unity and progress. With attention given to both conservation and modernization, Africa Hall is poised to inspire future generations while honoring its foundational legacy.
Original Source: www.cnn.com
